reviews of releases

Posted on by jdoerck | Posted in Review | Tagged ,

Gustavo Aguilar is a brilliant percussionist who grew up in Brownsville, where Texas meets Mexico. He now lives in New York . . . and has located himself in music at a point where composition and improvisation get into one another in extraordinary ways. . . . Gustavo Aguilar is himself a defiantly unorthodox musician - the kind we need - and this is a wonderful CD

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Comments Off on Review of unsettled on an old sense of place: The Wire

Posted on by jdoerck | Posted in Review | Tagged , ,

'Minamo' is extraordinary, a series of tight, dramatic events. Even without written music the musicians have plenty of ground under their feet: vamps, patterns, echoed motions. Both play with virtuosic precision and a great range of technique, even when the music becomes gestural and built on hummingbird pulses, glassy wipes of the violin strings, dark rumbles of rubbed piano strings. The whole record, but especially the second concert, runs on its own vivid tension.

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Comments Off on Review of Minamo: The New York Times

Posted on by jdoerck | Posted in Review | Tagged ,

It is difficult in these days of post-everything to claim a form as new; that said Lisle Ellis' homage to the tragically deceased visual artist Jean-Michel Basquiat is a rollercoaster of a listen, challenging and accessible in a disarmingly direct way...It's an exciting listen, drawing heavily on several musical genres and falling neatly into none. It's far removed from what Basquiat might call "Samo Samo."

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Comments Off on Review of Sucker Punch Requiem: Cadence